Here are photos of some of the beauty, symbolism, and history of the TLC's amazing architecture and art. Much of the captions are excerpts from the centennial history book, Trinity Lutheran Church Grand Rapids, Michigan 1896-1996, From Church on the Hill to Cross in the Sky by Trinity member Christian G. Carron.
Scroll down the page, click on the little photos to enlarge. Hit your F11 key at the top of your keyboard for a better view.
2700 E. Fulton, Grand Rapids, MI 49506, phone: 616-949-2510
website; TLCGR.org
NW corner of sanctuary and tower, a 115 foot free standing sculpture tower topped by a 40 foot cross. At it's top the, 'circle is symbolic of the world in which we live; the cross represents the sacrifice that God made for our sins. Together the circle and cross should recall to our minds that God came into our world in the person of Christ, to suffer and die because of sin and to rise again victoriously over death.' The Messenger
Sanctuary East wall from balcony. Organ on left, Altar center, hanging above is the Christus Rex (Christ The King) crucifix surronded by 29 foot pillars, the glow in the lower right is part of the stain glass Memorial Covenant Window, in front of that is the audio/video station for recording the services which are available only for the Grand Rapids area from cable station GRTV channel 25, Sunday at 11am.
Statement of Worship excerpt by TLC Congregation 1958 (submitted to the architect for guidance) Worship is the experience of the interaction between God and man. It is a personal encounter. God speaks to and comes to man through his Word and the Sacraments. Man approaches and speaks to God Through prayer, praise, and adoration. This experience is alive, vital, dynamic. The altar is the symbol of this interaction. It is at the altar that the worship is led. It is to the altar that the worshiper looks. The altar, then, must be the focal point of the church building, seen by all, large enough to demand the attention of everyone present. The altar should be rich and beautiful as well as all its appointments. We give to our God our best. This should be most evident in the beauty and quality of the altar and other chancel furnishings.
Christus Rex (Christ The King) Harold E. Wagoner of Philadelphia, architect of Trinity's current building, drew plans in 1958 for the space above the altar occupied by a magnificent crucifix, focusing attention on the activity at the altar and on Christ's sacrifice. As construction proceeded through 1960 and '61, however, costs escalated and the decision was made to delay the cross until funds could be raised. In December of 1961, just two months after the dedication of the new Fulton Street church building, $1800.00 was given by Clarence and Mildred Meyer for the fabrication and installation of a crucifix over the altar. The Christus Rex was designed and executed by an artist from New York who was selected by Trinity's Pastor Richard W. Albert.
Christus Rex (Christ The King) View from Altar looking up with the stain glass dome Lantern above. On Easter Sunday in April of 1962 the newly installed Christus Rex was finally dedicated. In The Messenger for April 19 following the dedication, Pastor Albert described the symbolism of the new cross: 'This particular concept brings to mind the full and completed redemptive work of our Lord. It is not just the empty cross (Resurrection); it is not the crucifix (Death); it is not just the glorified (Ascended) Christ. It is all three facts in one. It, therefore, brings to mind the crucified, risen and ever-present Lord and Savior who is and shall be King and Ruler of our lives. So, we have the cross plus the idea of the kingly robes and crown of the Eternal King. The wound prints in hands and feet are depicted to remind us of our redemption wrought on Calvary.'
Christus Rex (Christ The King)
SW corner of sanctuary and tower. Statement of Worship excerpt by TLC Congregation 1958 (submitted to the architect for guidance) Since worship is his dynamic experience of the personal, intimate contact between God and the worshiper, the principle result to be achieved in the church building is not 'comfort' (that is, an atmosphere that makes a man comfortable with himself), not 'homeyness'.. (worship is not a pleasant little chat with God and with each other), not 'restful' in the sense that the worshiper is quietly and passively hearing and watching what is going on 'up front'. No. The principal result to be achieved, rather, is to create a sense of awe, to compel reverence to make the worshiper want to get down on his knees. In the church we are in the presence of The Most High! Let the church shout this fact! Let it be known that everyone entering the church feels it and knows it. Also, let the church building participate in the worship experience. That is, the individual not only worships in the building, he worships with the building.
Sanctuary West wall with the stain glass Memorial Covenant Window left, center pews and above the Memorial Chapel Windows. Did you know that these small stained glass windows which are visible behind the upstairs balcony and above the choir loft were also moved from Trinity’s old location? If you’ve been a member since at least the late fifties, you probably have fond memories of how they looked in the Memorial Chapel. The stained glass windows were not installed in the Chapel, when it was dedicated in 1951, but were added a few years later. A June, 1953 Messenger first offered members the opportunity to donate the $400.00 cost of a window as a memorial to a loved one. By November of that same year, enough donations had been received to order the fourteen windows from The Willet Stained Glass Company of Philadelphia, Pennsylvania. The Memorial Chapel Windows could be described as 'painted windows', because the figures and scenes are painted in black on top of pieces of glass which are tinted by enamel colors and held together by lead solder. They are also 'narrative windows' because they tell non-verbal stories with the scenes they depict. This style of stained glass was developed from the 12th through the 14th centuries in the Gothic cathedrals of Western Europe, and revived during the Gothic Revival of the 19th and 20th centuries. Just imagine how important these visual representations of Bible stories in glass must have been as learning tools for Medieval Christians, since few could read and Masses were conducted in Latin. It might comfort you to know, that Christians have been staring at stained glass windows instead of listening to sermons for many centuries!
The aisles are lined with these smooth carvings at the end of each pew. I've been told the cut-out portion is a fish representing Jesus but also can be seen is a worshiper's profile with hands held up, palms together in prayer with faces turned up shouting/singing praises or there can be seen a version where the head is bowed wearing a cowl.
SE corner of sanctuary offering a view of the Lantern, the stain glass dome to the upper right. TLC Reverend during construction Richard W. Albert 1954-1963, 'The lantern is a raised circular section in the roof, (which allows) bent sun rays to come through directly down to the cross and altar, (and) is intended to give the worshipper a sense of upward thrust. The idea is that our prayers ascend directly to God; that God has direct access to us. It is to create a sense of openness to heaven itself.' The stain glass Memorial Covenant Window is to the lower left.
The stain glass Memorial Covenant Window outside South wall. The design of The Memorial Covenant Window, by Prof. Richard R. Caemmerer, Jr. of Valparaiso University in Indiana, was intended to harmonize with the architecture of the building which expresses the inter-action between God and His people in worship. The window itself was composed from pieces of imported faceted glass set in epoxy, and has a unique sculptured exterior. It too is a product of its times, for the decades following World War II witnessed significant activity in the creation of abstract or semi-abstract stained glass set in a solid ground material rather than lead (projected cost $16,440).
The stain glass Memorial Covenant Window inside South wall. According to the September 14, 1975 commemorative dedication program, 'The use of circles is prominent in the design of the church in the circular cove above the altar, the communion rail, the chancel steps, circular pillars, and the circle atop the free-standing tower (cross tower outside). These carry meanings related to God,eternity, completeness, the orb of the world, and the fellowship of the Church. The Memorial Window has repeated circles in its design as it expresses the relationship between God and His people.'
South wall with pews, the stain glass Memorial Covenant Window to left and the Memorial Chapel Windows to upper right.
South wall's stain glass Memorial Covenant Window. The dedication program further described the window as 'a sermon in art', with symbolism drawn from The Old Testament, New Testament, The Creeds and The Church. The window begins with the Old Testament on the right side and reads from right to left. The major symbols on the right side are... The Amber Orb, representing the creation of the world; The Pillar Of Fire and The Pillar Of Cloud, symbols of the Lord's guidance for His people in their exodus from Egypt; The Tablets Of Stone, representations of the Commandments, the basis for God's covenant with His people on the Old Testament; and The Ark, The Olive Branch, and The Rainbow, symbols of God's covenant with Noah and his family, and His promise to never again destroy the world by flood. The Greek Cross, central in the window and in faith, as a symbol of finished redemption, and the means by which the New Covenant is established ('God was in Christ reconciling the world unto himself.' II Cor. 5:19); The Gold Colors surrounding the cross speak of the glory of God; The Chalice And Wafer, representing Holy Communion, the sacrament of the renewal of the covenant; The Blue Drop Of Water, representing the sacrament of Baptism, God's gracious act establishing His relationship with His people; The Flame, an expression of God's gift of His Holy Spirit; The Ship Of The Church, with banner waving, sailing over the troubled waters of this world; The Trumpet, a reminder that The Church offers praise and thanksgiving for God's glory and grace; The Incomplete Circle, symbol that the relationship of God and His people goes on into the future and eternity.
Rejoice Baptismal Font Pastor Paul offers this description of its symbolism, 'If asked to title the sculptural base I would title it 'Rejoice'. The abstracted figure holding the glass bowl represents what Jesus said, 'Rejoice'. I am reminded of this first word Jesus spoke after His Resurrection: Jesus conquered death, by His Resurrection all will rise again: 'The Righteous to life with Christ, the wicked to judgment.' The Three curving pieces of metal that also support the glass bowl represent to me the tongues of fire, where St Luke reminds us that He will baptize you with the Holy Spirit and fire, Luke 3:16. with the wide one representing the Holy Spirit and the other two the Father and Son of the Trinity. St Peter defines Christian life within the Church in Acts 2, 1. Repent. 2. Be baptized in the name of Jesus Christ for the remission of sins. 3. Receive the gift of the Holy Spirit. The metal piece the glass bowl rests on reminds me of the crown of thorns that were placed on Jesus before they led Him away to die on a cross and save us from our sins. When we are baptized with the Holy Water we are baptized as Christians and as children of God, our heavenly Father with the promise of Eternal life. In Mathew 28:19 Jesus tells his 11 disciples, 'Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit.''
Rejoice Baptismal Font The font was dedicated in loving memory of Mildred Meyer 1907-1998 by her siblings Mary Ann and Jack Barrows. The Barrows purchased the glass bowl in Florida with it's flowing fountain design and graduated shades of purple and green/blue. Upon input from the Barrows and Pastor Paul on it's design the base was created by local Grand Rapids artisan Lisa Burrows (no relation) from the Cascade Gallery And Frame Shop on Thornapple. The base is a trio of curving struts in welded steel offering great strength and weight with sparing lines complimenting its display of the bowl . The glass and metal together make for an unusual and beautiful baptismal font.
The “Last Supper Group” (about 7 feet long) installed at Trinity is No. 72 in the catalog “Furniture for Your Church” published by its manufacturer, the American Seating Company of Grand Rapids. It is an adaptation in wood of Leonardo Da Vinci’s famous “Last Supper’, which he painted at the Monastery of Santa Maria della Grazie in Milan near the end of the 15th century. The American Seating Last Suppers were created under the hand and direction of Alois Lang, who learned to carve wood in his native Oberammergau, Bavaria, and became American Seating’s master carver in 1902. The catalog tells the story of The Last Supper. Most of the story is excerpted below, so that you may use it as a guide for closer scrutiny of Trinity’s piece, which was moved (from behind Altar at old TLC since 1930) to the new church in 1961 and remains installed in the Narthex area.
Last Supper close up of Jesus, and disciples Thomas, James, and Phillip.
September 19, 1992 dedication of Centennial Hall, 'Since that time it has seen a wide variety of activities, ranging from potluck suppers and dinner dances to sleep-overs, puppet shows, area-wide youth gatherings, wedding receptions, volleyball and basketball games, choir concerts, and summer worship services.'
Pastor Paul Krupinski's greatest impact on the people of Trinity may be his example as a caring member of the body of Christ. His informal, conversational style has had a wide appeal. His close relationship to the children is evidenced during the children's sermon time at worship services. They often come so excited to share their stories with him, that he finds it difficult to get to his message about the mystery object in the now infamous 'Kids Box'. Pastor Paul added his own personal style to the Children's Message when he came in 1995, by inviting the children to sit on the steps at the foot of the Altar. He also established the tradition of 'The Box', which is filled each week by one of the children, and used by Pastor Paul as the basis for an improvisational object lesson about a passage from the Bible or about our personal relationship with Christ. Light-hearted attempts to 'stump the pastor' have always met with failure. But rarely has the Children's Message failed to hold the attention of the children, or make them feel included in the service.
Letourneau Opus 26 Organ Dedicated March 29, 1992 constructed by Orgues Letourneau Ltee, of Ste. Hyacinthe, Quebec with the 3 manuals, 31 stops, and 39 ranks.
TLC Choirs 1996
Adult Bell Choir practice
Adult Choir on Altar 1996
Adult Choir on hay ride 1991
Children's performance. My sister Jacqueline is one of the frogs 1982.
Pastor Paul baptizes Lee Baribeau with Rejoice Baptismal Font, May 6, 2001
Newly baptized boy Lee Baribeau and little girl are introduced to the congragation with the traditional walk down the aisle by Pastor Paul, May 6, 2001
TLC members collage. My favorite is the center photo of Pastor Paul inspecting the little girl's ear piercing.
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pObj15 = new pObj("http://a0.cpimg.com/image/EE/30/28269550-ea9e-01650200-.jpg",28269550,357,512," ","Rejoice Baptismal Font Pastor Paul offers this description of its symbolism, 'If asked to title the sculptural base I would title it 'Rejoice'. The abstracted figure holding the glass bowl represents what Jesus said, 'Rejoice'. I am reminded of this first word Jesus spoke after His Resurrection: Jesus conquered death, by His Resurrection all will rise again: 'The Righteous to life with Christ, the wicked to judgment.' The Three curving pieces of metal that also support the glass bowl represent to me the tongues of fire, where St Luke reminds us that He will baptize you with the Holy Spirit and fire, Luke 3:16. with the wide one representing the Holy Spirit and the other two the Father and Son of the Trinity. St Peter defines Christian life within the Church in Acts 2, 1. Repent. 2. Be baptized in the name of Jesus Christ for the remission of sins. 3. Receive the gift of the Holy Spirit. The metal piece the glass bowl rests on reminds me of the crown of thorns that were placed on Jesus before they led Him away to die on a cross and save us from our sins. When we are baptized with the Holy Water we are baptized as Christians and as children of God, our heavenly Father with the promise of Eternal life. In Mathew 28:19 Jesus tells his 11 disciples, 'Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit.'' ","","",14,1040,1490,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
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pObj17 = new pObj("http://a9.cpimg.com/image/8F/25/28269199-2857-02000171-.jpg",28269199,512,369," ","The “Last Supper Group” (about 7 feet long) installed at Trinity is No. 72 in the catalog “Furniture for Your Church” published by its manufacturer, the American Seating Company of Grand Rapids. It is an adaptation in wood of Leonardo Da Vinci’s famous “Last Supper’, which he painted at the Monastery of Santa Maria della Grazie in Milan near the end of the 15th century. The American Seating Last Suppers were created under the hand and direction of Alois Lang, who learned to carve wood in his native Oberammergau, Bavaria, and became American Seating’s master carver in 1902. The catalog tells the story of The Last Supper. Most of the story is excerpted below, so that you may use it as a guide for closer scrutiny of Trinity’s piece, which was moved (from behind Altar at old TLC since 1930) to the new church in 1961 and remains installed in the Narthex area. ","","",16,1080,780,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
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pObj19 = new pObj("http://a2.cpimg.com/image/8C/2D/28269452-f7ed-02000154-.jpg",28269452,512,340," ","September 19, 1992 dedication of Centennial Hall, 'Since that time it has seen a wide variety of activities, ranging from potluck suppers and dinner dances to sleep-overs, puppet shows, area-wide youth gatherings, wedding receptions, volleyball and basketball games, choir concerts, and summer worship services.' ","","",18,1184,788,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
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pObj21 = new pObj("http://a2.cpimg.com/image/40/5C/28270912-3a82-00F701F2-.jpg",28270912,247,498," ","Letourneau Opus 26 Organ Dedicated March 29, 1992 constructed by Orgues Letourneau Ltee, of Ste. Hyacinthe, Quebec with the 3 manuals, 31 stops, and 39 ranks. ","","",20,247,498,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj22 = new pObj("http://a9.cpimg.com/image/15/5B/28270869-0534-02000171-.jpg",28270869,512,369," ","TLC Choirs 1996 ","","",21,1387,1000,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
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pObj29 = new pObj("http://a2.cpimg.com/image/D8/51/28270552-21c6-018B0200-.jpg",28270552,395,512," ","TLC members collage. My favorite is the center photo of Pastor Paul inspecting the little girl's ear piercing. ","","",28,847,1097,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
Scroll down the page, click on the little photos to enlarge. Hit your F11 key at the top of your keyboard for a better view.
2700 E. Fulton, Grand Rapids, MI 49506, phone: 616-949-2510
website; TLCGR.org
NW corner of sanctuary and tower, a 115 foot free standing sculpture tower topped by a 40 foot cross. At it's top the, 'circle is symbolic of the world in which we live; the cross represents the sacrifice that God made for our sins. Together the circle and cross should recall to our minds that God came into our world in the person of Christ, to suffer and die because of sin and to rise again victoriously over death.' The Messenger
Sanctuary East wall from balcony. Organ on left, Altar center, hanging above is the Christus Rex (Christ The King) crucifix surronded by 29 foot pillars, the glow in the lower right is part of the stain glass Memorial Covenant Window, in front of that is the audio/video station for recording the services which are available only for the Grand Rapids area from cable station GRTV channel 25, Sunday at 11am.
Statement of Worship excerpt by TLC Congregation 1958 (submitted to the architect for guidance) Worship is the experience of the interaction between God and man. It is a personal encounter. God speaks to and comes to man through his Word and the Sacraments. Man approaches and speaks to God Through prayer, praise, and adoration. This experience is alive, vital, dynamic. The altar is the symbol of this interaction. It is at the altar that the worship is led. It is to the altar that the worshiper looks. The altar, then, must be the focal point of the church building, seen by all, large enough to demand the attention of everyone present. The altar should be rich and beautiful as well as all its appointments. We give to our God our best. This should be most evident in the beauty and quality of the altar and other chancel furnishings.
Christus Rex (Christ The King) Harold E. Wagoner of Philadelphia, architect of Trinity's current building, drew plans in 1958 for the space above the altar occupied by a magnificent crucifix, focusing attention on the activity at the altar and on Christ's sacrifice. As construction proceeded through 1960 and '61, however, costs escalated and the decision was made to delay the cross until funds could be raised. In December of 1961, just two months after the dedication of the new Fulton Street church building, $1800.00 was given by Clarence and Mildred Meyer for the fabrication and installation of a crucifix over the altar. The Christus Rex was designed and executed by an artist from New York who was selected by Trinity's Pastor Richard W. Albert.
Christus Rex (Christ The King) View from Altar looking up with the stain glass dome Lantern above. On Easter Sunday in April of 1962 the newly installed Christus Rex was finally dedicated. In The Messenger for April 19 following the dedication, Pastor Albert described the symbolism of the new cross: 'This particular concept brings to mind the full and completed redemptive work of our Lord. It is not just the empty cross (Resurrection); it is not the crucifix (Death); it is not just the glorified (Ascended) Christ. It is all three facts in one. It, therefore, brings to mind the crucified, risen and ever-present Lord and Savior who is and shall be King and Ruler of our lives. So, we have the cross plus the idea of the kingly robes and crown of the Eternal King. The wound prints in hands and feet are depicted to remind us of our redemption wrought on Calvary.'
Christus Rex (Christ The King)
SW corner of sanctuary and tower. Statement of Worship excerpt by TLC Congregation 1958 (submitted to the architect for guidance) Since worship is his dynamic experience of the personal, intimate contact between God and the worshiper, the principle result to be achieved in the church building is not 'comfort' (that is, an atmosphere that makes a man comfortable with himself), not 'homeyness'.. (worship is not a pleasant little chat with God and with each other), not 'restful' in the sense that the worshiper is quietly and passively hearing and watching what is going on 'up front'. No. The principal result to be achieved, rather, is to create a sense of awe, to compel reverence to make the worshiper want to get down on his knees. In the church we are in the presence of The Most High! Let the church shout this fact! Let it be known that everyone entering the church feels it and knows it. Also, let the church building participate in the worship experience. That is, the individual not only worships in the building, he worships with the building.
Sanctuary West wall with the stain glass Memorial Covenant Window left, center pews and above the Memorial Chapel Windows. Did you know that these small stained glass windows which are visible behind the upstairs balcony and above the choir loft were also moved from Trinity’s old location? If you’ve been a member since at least the late fifties, you probably have fond memories of how they looked in the Memorial Chapel. The stained glass windows were not installed in the Chapel, when it was dedicated in 1951, but were added a few years later. A June, 1953 Messenger first offered members the opportunity to donate the $400.00 cost of a window as a memorial to a loved one. By November of that same year, enough donations had been received to order the fourteen windows from The Willet Stained Glass Company of Philadelphia, Pennsylvania. The Memorial Chapel Windows could be described as 'painted windows', because the figures and scenes are painted in black on top of pieces of glass which are tinted by enamel colors and held together by lead solder. They are also 'narrative windows' because they tell non-verbal stories with the scenes they depict. This style of stained glass was developed from the 12th through the 14th centuries in the Gothic cathedrals of Western Europe, and revived during the Gothic Revival of the 19th and 20th centuries. Just imagine how important these visual representations of Bible stories in glass must have been as learning tools for Medieval Christians, since few could read and Masses were conducted in Latin. It might comfort you to know, that Christians have been staring at stained glass windows instead of listening to sermons for many centuries!
The aisles are lined with these smooth carvings at the end of each pew. I've been told the cut-out portion is a fish representing Jesus but also can be seen is a worshiper's profile with hands held up, palms together in prayer with faces turned up shouting/singing praises or there can be seen a version where the head is bowed wearing a cowl.
SE corner of sanctuary offering a view of the Lantern, the stain glass dome to the upper right. TLC Reverend during construction Richard W. Albert 1954-1963, 'The lantern is a raised circular section in the roof, (which allows) bent sun rays to come through directly down to the cross and altar, (and) is intended to give the worshipper a sense of upward thrust. The idea is that our prayers ascend directly to God; that God has direct access to us. It is to create a sense of openness to heaven itself.' The stain glass Memorial Covenant Window is to the lower left.
The stain glass Memorial Covenant Window outside South wall. The design of The Memorial Covenant Window, by Prof. Richard R. Caemmerer, Jr. of Valparaiso University in Indiana, was intended to harmonize with the architecture of the building which expresses the inter-action between God and His people in worship. The window itself was composed from pieces of imported faceted glass set in epoxy, and has a unique sculptured exterior. It too is a product of its times, for the decades following World War II witnessed significant activity in the creation of abstract or semi-abstract stained glass set in a solid ground material rather than lead (projected cost $16,440).
The stain glass Memorial Covenant Window inside South wall. According to the September 14, 1975 commemorative dedication program, 'The use of circles is prominent in the design of the church in the circular cove above the altar, the communion rail, the chancel steps, circular pillars, and the circle atop the free-standing tower (cross tower outside). These carry meanings related to God,eternity, completeness, the orb of the world, and the fellowship of the Church. The Memorial Window has repeated circles in its design as it expresses the relationship between God and His people.'
South wall with pews, the stain glass Memorial Covenant Window to left and the Memorial Chapel Windows to upper right.
South wall's stain glass Memorial Covenant Window. The dedication program further described the window as 'a sermon in art', with symbolism drawn from The Old Testament, New Testament, The Creeds and The Church. The window begins with the Old Testament on the right side and reads from right to left. The major symbols on the right side are... The Amber Orb, representing the creation of the world; The Pillar Of Fire and The Pillar Of Cloud, symbols of the Lord's guidance for His people in their exodus from Egypt; The Tablets Of Stone, representations of the Commandments, the basis for God's covenant with His people on the Old Testament; and The Ark, The Olive Branch, and The Rainbow, symbols of God's covenant with Noah and his family, and His promise to never again destroy the world by flood. The Greek Cross, central in the window and in faith, as a symbol of finished redemption, and the means by which the New Covenant is established ('God was in Christ reconciling the world unto himself.' II Cor. 5:19); The Gold Colors surrounding the cross speak of the glory of God; The Chalice And Wafer, representing Holy Communion, the sacrament of the renewal of the covenant; The Blue Drop Of Water, representing the sacrament of Baptism, God's gracious act establishing His relationship with His people; The Flame, an expression of God's gift of His Holy Spirit; The Ship Of The Church, with banner waving, sailing over the troubled waters of this world; The Trumpet, a reminder that The Church offers praise and thanksgiving for God's glory and grace; The Incomplete Circle, symbol that the relationship of God and His people goes on into the future and eternity.
Rejoice Baptismal Font Pastor Paul offers this description of its symbolism, 'If asked to title the sculptural base I would title it 'Rejoice'. The abstracted figure holding the glass bowl represents what Jesus said, 'Rejoice'. I am reminded of this first word Jesus spoke after His Resurrection: Jesus conquered death, by His Resurrection all will rise again: 'The Righteous to life with Christ, the wicked to judgment.' The Three curving pieces of metal that also support the glass bowl represent to me the tongues of fire, where St Luke reminds us that He will baptize you with the Holy Spirit and fire, Luke 3:16. with the wide one representing the Holy Spirit and the other two the Father and Son of the Trinity. St Peter defines Christian life within the Church in Acts 2, 1. Repent. 2. Be baptized in the name of Jesus Christ for the remission of sins. 3. Receive the gift of the Holy Spirit. The metal piece the glass bowl rests on reminds me of the crown of thorns that were placed on Jesus before they led Him away to die on a cross and save us from our sins. When we are baptized with the Holy Water we are baptized as Christians and as children of God, our heavenly Father with the promise of Eternal life. In Mathew 28:19 Jesus tells his 11 disciples, 'Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit.''
Rejoice Baptismal Font The font was dedicated in loving memory of Mildred Meyer 1907-1998 by her siblings Mary Ann and Jack Barrows. The Barrows purchased the glass bowl in Florida with it's flowing fountain design and graduated shades of purple and green/blue. Upon input from the Barrows and Pastor Paul on it's design the base was created by local Grand Rapids artisan Lisa Burrows (no relation) from the Cascade Gallery And Frame Shop on Thornapple. The base is a trio of curving struts in welded steel offering great strength and weight with sparing lines complimenting its display of the bowl . The glass and metal together make for an unusual and beautiful baptismal font.
The “Last Supper Group” (about 7 feet long) installed at Trinity is No. 72 in the catalog “Furniture for Your Church” published by its manufacturer, the American Seating Company of Grand Rapids. It is an adaptation in wood of Leonardo Da Vinci’s famous “Last Supper’, which he painted at the Monastery of Santa Maria della Grazie in Milan near the end of the 15th century. The American Seating Last Suppers were created under the hand and direction of Alois Lang, who learned to carve wood in his native Oberammergau, Bavaria, and became American Seating’s master carver in 1902. The catalog tells the story of The Last Supper. Most of the story is excerpted below, so that you may use it as a guide for closer scrutiny of Trinity’s piece, which was moved (from behind Altar at old TLC since 1930) to the new church in 1961 and remains installed in the Narthex area.
Last Supper close up of Jesus, and disciples Thomas, James, and Phillip.
September 19, 1992 dedication of Centennial Hall, 'Since that time it has seen a wide variety of activities, ranging from potluck suppers and dinner dances to sleep-overs, puppet shows, area-wide youth gatherings, wedding receptions, volleyball and basketball games, choir concerts, and summer worship services.'
Pastor Paul Krupinski's greatest impact on the people of Trinity may be his example as a caring member of the body of Christ. His informal, conversational style has had a wide appeal. His close relationship to the children is evidenced during the children's sermon time at worship services. They often come so excited to share their stories with him, that he finds it difficult to get to his message about the mystery object in the now infamous 'Kids Box'. Pastor Paul added his own personal style to the Children's Message when he came in 1995, by inviting the children to sit on the steps at the foot of the Altar. He also established the tradition of 'The Box', which is filled each week by one of the children, and used by Pastor Paul as the basis for an improvisational object lesson about a passage from the Bible or about our personal relationship with Christ. Light-hearted attempts to 'stump the pastor' have always met with failure. But rarely has the Children's Message failed to hold the attention of the children, or make them feel included in the service.
Letourneau Opus 26 Organ Dedicated March 29, 1992 constructed by Orgues Letourneau Ltee, of Ste. Hyacinthe, Quebec with the 3 manuals, 31 stops, and 39 ranks.
TLC Choirs 1996
Adult Bell Choir practice
Adult Choir on Altar 1996
Adult Choir on hay ride 1991
Children's performance. My sister Jacqueline is one of the frogs 1982.
Pastor Paul baptizes Lee Baribeau with Rejoice Baptismal Font, May 6, 2001
Newly baptized boy Lee Baribeau and little girl are introduced to the congragation with the traditional walk down the aisle by Pastor Paul, May 6, 2001
TLC members collage. My favorite is the center photo of Pastor Paul inspecting the little girl's ear piercing.
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pObj6 = new pObj("http://a1.cpimg.com/image/B9/AB/28265401-47b2-01A50200-.jpg",28265401,421,512," ","Christus Rex (Christ The King) ","","",5,702,852,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj7 = new pObj("http://a9.cpimg.com/image/15/08/28268309-d772-020001E8-.jpg",28268309,512,488," ","SW corner of sanctuary and tower. Statement of Worship excerpt by TLC Congregation 1958 (submitted to the architect for guidance) Since worship is his dynamic experience of the personal, intimate contact between God and the worshiper, the principle result to be achieved in the church building is not 'comfort' (that is, an atmosphere that makes a man comfortable with himself), not 'homeyness'.. (worship is not a pleasant little chat with God and with each other), not 'restful' in the sense that the worshiper is quietly and passively hearing and watching what is going on 'up front'. No. The principal result to be achieved, rather, is to create a sense of awe, to compel reverence to make the worshiper want to get down on his knees. In the church we are in the presence of The Most High! Let the church shout this fact! Let it be known that everyone entering the church feels it and knows it. Also, let the church building participate in the worship experience. That is, the individual not only worships in the building, he worships with the building. ","","",6,776,740,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj8 = new pObj("http://a1.cpimg.com/image/C3/FE/28267971-213a-02000154-.jpg",28267971,512,340," ","Sanctuary West wall with the stain glass Memorial Covenant Window left, center pews and above the Memorial Chapel Windows. Did you know that these small stained glass windows which are visible behind the upstairs balcony and above the choir loft were also moved from Trinity’s old location? If you’ve been a member since at least the late fifties, you probably have fond memories of how they looked in the Memorial Chapel. The stained glass windows were not installed in the Chapel, when it was dedicated in 1951, but were added a few years later. A June, 1953 Messenger first offered members the opportunity to donate the $400.00 cost of a window as a memorial to a loved one. By November of that same year, enough donations had been received to order the fourteen windows from The Willet Stained Glass Company of Philadelphia, Pennsylvania. The Memorial Chapel Windows could be described as 'painted windows', because the figures and scenes are painted in black on top of pieces of glass which are tinted by enamel colors and held together by lead solder. They are also 'narrative windows' because they tell non-verbal stories with the scenes they depict. This style of stained glass was developed from the 12th through the 14th centuries in the Gothic cathedrals of Western Europe, and revived during the Gothic Revival of the 19th and 20th centuries. Just imagine how important these visual representations of Bible stories in glass must have been as learning tools for Medieval Christians, since few could read and Masses were conducted in Latin. It might comfort you to know, that Christians have been staring at stained glass windows instead of listening to sermons for many centuries! ","","",7,1180,784,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj9 = new pObj("http://a3.cpimg.com/image/33/01/28268083-c0e0-02000145-.jpg",28268083,512,325," ","The aisles are lined with these smooth carvings at the end of each pew. I've been told the cut-out portion is a fish representing Jesus but also can be seen is a worshiper's profile with hands held up, palms together in prayer with faces turned up shouting/singing praises or there can be seen a version where the head is bowed wearing a cowl. ","","",8,1188,756,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj10 = new pObj("http://a2.cpimg.com/image/BE/06/28268222-6cd8-02000145-.jpg",28268222,512,325," ","SE corner of sanctuary offering a view of the Lantern, the stain glass dome to the upper right. TLC Reverend during construction Richard W. Albert 1954-1963, 'The lantern is a raised circular section in the roof, (which allows) bent sun rays to come through directly down to the cross and altar, (and) is intended to give the worshipper a sense of upward thrust. The idea is that our prayers ascend directly to God; that God has direct access to us. It is to create a sense of openness to heaven itself.' The stain glass Memorial Covenant Window is to the lower left. ","","",9,1184,752,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj11 = new pObj("http://a7.cpimg.com/image/4B/2B/28269387-69a6-0200014C-.jpg",28269387,512,332," ","The stain glass Memorial Covenant Window outside South wall. The design of The Memorial Covenant Window, by Prof. Richard R. Caemmerer, Jr. of Valparaiso University in Indiana, was intended to harmonize with the architecture of the building which expresses the inter-action between God and His people in worship. The window itself was composed from pieces of imported faceted glass set in epoxy, and has a unique sculptured exterior. It too is a product of its times, for the decades following World War II witnessed significant activity in the creation of abstract or semi-abstract stained glass set in a solid ground material rather than lead (projected cost $16,440). ","","",10,1188,772,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj12 = new pObj("http://a7.cpimg.com/image/C9/27/28269257-a438-0200014F-.jpg",28269257,512,335," ","The stain glass Memorial Covenant Window inside South wall. According to the September 14, 1975 commemorative dedication program, 'The use of circles is prominent in the design of the church in the circular cove above the altar, the communion rail, the chancel steps, circular pillars, and the circle atop the free-standing tower (cross tower outside). These carry meanings related to God,eternity, completeness, the orb of the world, and the fellowship of the Church. The Memorial Window has repeated circles in its design as it expresses the relationship between God and His people.' ","","",11,1184,776,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj13 = new pObj("http://a3.cpimg.com/image/83/04/28268163-246c-02000155-.jpg",28268163,512,341," ","South wall with pews, the stain glass Memorial Covenant Window to left and the Memorial Chapel Windows to upper right. ","","",12,1180,788,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj14 = new pObj("http://a9.cpimg.com/image/47/0A/28268359-ccb3-0200016F-.jpg",28268359,512,367," ","South wall's stain glass Memorial Covenant Window. The dedication program further described the window as 'a sermon in art', with symbolism drawn from The Old Testament, New Testament, The Creeds and The Church. The window begins with the Old Testament on the right side and reads from right to left. The major symbols on the right side are... The Amber Orb, representing the creation of the world; The Pillar Of Fire and The Pillar Of Cloud, symbols of the Lord's guidance for His people in their exodus from Egypt; The Tablets Of Stone, representations of the Commandments, the basis for God's covenant with His people on the Old Testament; and The Ark, The Olive Branch, and The Rainbow, symbols of God's covenant with Noah and his family, and His promise to never again destroy the world by flood. The Greek Cross, central in the window and in faith, as a symbol of finished redemption, and the means by which the New Covenant is established ('God was in Christ reconciling the world unto himself.' II Cor. 5:19); The Gold Colors surrounding the cross speak of the glory of God; The Chalice And Wafer, representing Holy Communion, the sacrament of the renewal of the covenant; The Blue Drop Of Water, representing the sacrament of Baptism, God's gracious act establishing His relationship with His people; The Flame, an expression of God's gift of His Holy Spirit; The Ship Of The Church, with banner waving, sailing over the troubled waters of this world; The Trumpet, a reminder that The Church offers praise and thanksgiving for God's glory and grace; The Incomplete Circle, symbol that the relationship of God and His people goes on into the future and eternity. ","","",13,1048,753,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj15 = new pObj("http://a0.cpimg.com/image/EE/30/28269550-ea9e-01650200-.jpg",28269550,357,512," ","Rejoice Baptismal Font Pastor Paul offers this description of its symbolism, 'If asked to title the sculptural base I would title it 'Rejoice'. The abstracted figure holding the glass bowl represents what Jesus said, 'Rejoice'. I am reminded of this first word Jesus spoke after His Resurrection: Jesus conquered death, by His Resurrection all will rise again: 'The Righteous to life with Christ, the wicked to judgment.' The Three curving pieces of metal that also support the glass bowl represent to me the tongues of fire, where St Luke reminds us that He will baptize you with the Holy Spirit and fire, Luke 3:16. with the wide one representing the Holy Spirit and the other two the Father and Son of the Trinity. St Peter defines Christian life within the Church in Acts 2, 1. Repent. 2. Be baptized in the name of Jesus Christ for the remission of sins. 3. Receive the gift of the Holy Spirit. The metal piece the glass bowl rests on reminds me of the crown of thorns that were placed on Jesus before they led Him away to die on a cross and save us from our sins. When we are baptized with the Holy Water we are baptized as Christians and as children of God, our heavenly Father with the promise of Eternal life. In Mathew 28:19 Jesus tells his 11 disciples, 'Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit.'' ","","",14,1040,1490,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj16 = new pObj("http://a8.cpimg.com/image/C4/2F/28269508-8dcd-02000138-.jpg",28269508,512,312," ","Rejoice Baptismal Font The font was dedicated in loving memory of Mildred Meyer 1907-1998 by her siblings Mary Ann and Jack Barrows. The Barrows purchased the glass bowl in Florida with it's flowing fountain design and graduated shades of purple and green/blue. Upon input from the Barrows and Pastor Paul on it's design the base was created by local Grand Rapids artisan Lisa Burrows (no relation) from the Cascade Gallery And Frame Shop on Thornapple. The base is a trio of curving struts in welded steel offering great strength and weight with sparing lines complimenting its display of the bowl . The glass and metal together make for an unusual and beautiful baptismal font. ","","",15,864,528,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj17 = new pObj("http://a9.cpimg.com/image/8F/25/28269199-2857-02000171-.jpg",28269199,512,369," ","The “Last Supper Group” (about 7 feet long) installed at Trinity is No. 72 in the catalog “Furniture for Your Church” published by its manufacturer, the American Seating Company of Grand Rapids. It is an adaptation in wood of Leonardo Da Vinci’s famous “Last Supper’, which he painted at the Monastery of Santa Maria della Grazie in Milan near the end of the 15th century. The American Seating Last Suppers were created under the hand and direction of Alois Lang, who learned to carve wood in his native Oberammergau, Bavaria, and became American Seating’s master carver in 1902. The catalog tells the story of The Last Supper. Most of the story is excerpted below, so that you may use it as a guide for closer scrutiny of Trinity’s piece, which was moved (from behind Altar at old TLC since 1930) to the new church in 1961 and remains installed in the Narthex area. ","","",16,1080,780,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj18 = new pObj("http://a2.cpimg.com/image/42/23/28269122-9843-02000163-.jpg",28269122,512,355," ","Last Supper close up of Jesus, and disciples Thomas, James, and Phillip. ","","",17,992,688,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj19 = new pObj("http://a2.cpimg.com/image/8C/2D/28269452-f7ed-02000154-.jpg",28269452,512,340," ","September 19, 1992 dedication of Centennial Hall, 'Since that time it has seen a wide variety of activities, ranging from potluck suppers and dinner dances to sleep-overs, puppet shows, area-wide youth gatherings, wedding receptions, volleyball and basketball games, choir concerts, and summer worship services.' ","","",18,1184,788,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj20 = new pObj("http://a7.cpimg.com/image/F7/20/28269047-20a1-02000158-.jpg",28269047,512,344," ","Pastor Paul Krupinski's greatest impact on the people of Trinity may be his example as a caring member of the body of Christ. His informal, conversational style has had a wide appeal. His close relationship to the children is evidenced during the children's sermon time at worship services. They often come so excited to share their stories with him, that he finds it difficult to get to his message about the mystery object in the now infamous 'Kids Box'. Pastor Paul added his own personal style to the Children's Message when he came in 1995, by inviting the children to sit on the steps at the foot of the Altar. He also established the tradition of 'The Box', which is filled each week by one of the children, and used by Pastor Paul as the basis for an improvisational object lesson about a passage from the Bible or about our personal relationship with Christ. Light-hearted attempts to 'stump the pastor' have always met with failure. But rarely has the Children's Message failed to hold the attention of the children, or make them feel included in the service. ","","",19,1175,791,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj21 = new pObj("http://a2.cpimg.com/image/40/5C/28270912-3a82-00F701F2-.jpg",28270912,247,498," ","Letourneau Opus 26 Organ Dedicated March 29, 1992 constructed by Orgues Letourneau Ltee, of Ste. Hyacinthe, Quebec with the 3 manuals, 31 stops, and 39 ranks. ","","",20,247,498,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj22 = new pObj("http://a9.cpimg.com/image/15/5B/28270869-0534-02000171-.jpg",28270869,512,369," ","TLC Choirs 1996 ","","",21,1387,1000,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj23 = new pObj("http://a9.cpimg.com/image/4D/55/28270669-1cf6-02000167-.jpg",28270669,512,359," ","Adult Bell Choir practice ","","",22,912,640,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj24 = new pObj("http://a3.cpimg.com/image/83/56/28270723-171e-02000125-.jpg",28270723,512,293," ","Adult Choir on Altar 1996 ","","",23,1164,668,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj25 = new pObj("http://a6.cpimg.com/image/CC/59/28270796-9d62-02000146-.jpg",28270796,512,326," ","Adult Choir on hay ride 1991 ","","",24,1111,708,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj26 = new pObj("http://a0.cpimg.com/image/34/5C/28270900-55e3-02000138-.jpg",28270900,512,312," ","Children's performance. My sister Jacqueline is one of the frogs 1982. ","","",25,812,496,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj27 = new pObj("http://a4.cpimg.com/image/34/54/28270644-2393-02000150-.jpg",28270644,512,336," ","Pastor Paul baptizes Lee Baribeau with Rejoice Baptismal Font, May 6, 2001 ","","",26,1182,776,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj28 = new pObj("http://a4.cpimg.com/image/02/52/28270594-0217-020001A5-.jpg",28270594,512,421," ","Newly baptized boy Lee Baribeau and little girl are introduced to the congragation with the traditional walk down the aisle by Pastor Paul, May 6, 2001 ","","",27,975,803,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
pObj29 = new pObj("http://a2.cpimg.com/image/D8/51/28270552-21c6-018B0200-.jpg",28270552,395,512," ","TLC members collage. My favorite is the center photo of Pastor Paul inspecting the little girl's ear piercing. ","","",28,847,1097,"http://members6.clubphoto.com/_cgi-bin/ecom/tracker.pl?r=ps23&url=www.clubphoto.com/memberservices/premium_pop/hi_res_download.php");
posted by Michael Baribeau at 11:03 PM
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